EMIYA KIRITSUGU (
unhappymeal) wrote in
asgardeventide2013-01-28 05:23 am
0.0.2 -> Video;
What do you do for work when you need extra money?
[He asks quietly but confidently, without pause. Today he isn't as cheerful at the last time he made a post. He's still worn out, but somehow he looks even more exhausted than he did before. He's scruffy, and there's something about him that seems haunted and hollowed-out despite the mild-mannered calm in his voice.
He's pulling his coat on as he talks, and heading out from his room into the hall.]
What's given freely is good, but it doesn't count for luxuries, so--
[Once in the hall he stops, looking confused. He turns around to look at his door: number 307 in Sigyn's Welcome Hall.]
...It moved.
[He asks quietly but confidently, without pause. Today he isn't as cheerful at the last time he made a post. He's still worn out, but somehow he looks even more exhausted than he did before. He's scruffy, and there's something about him that seems haunted and hollowed-out despite the mild-mannered calm in his voice.
He's pulling his coat on as he talks, and heading out from his room into the hall.]
What's given freely is good, but it doesn't count for luxuries, so--
[Once in the hall he stops, looking confused. He turns around to look at his door: number 307 in Sigyn's Welcome Hall.]
...It moved.

action in the loosest sense possible;
...so it isn't just the old man being senile.
Imagine that.]
action you immature jackass;
[He sighs, running a hand down his face. This is getting ridiculous, particularly when they're now just doors apart.
He heads over to 302 and, after a moment of calming his breath, knocks.]
action shut up you're not my real dad;
I was curious. That's all.
[Are we done here now?]
action wow rude;
action LOOK WHO'S TALKING?!;
Do you mind?
action v PARENT, ^ CHILD, GO TO YOUR ROOM???;
action I'M IN MY ROOM YOU ARE OLD AND CRAZY;
And how long do you plan to keep prying at this door?
action GROUNDED
Thus, he pulls out his gun.]
action;
Archer knows he doesn't remember enough of his father, it's one of the first things he'll admit about his dealings with Kiritsugu - with that in mind, and the barrel of a gun not far from his face, perhaps it was hasty to assume that idealistic foolishness went completely hand in hand with complete naivety.]
I have a feeling you won't have any reason to be in my room if you shoot me. Are you certain this is the best way to persuade me?
action;
[His heart aches. It's been broken a thousand times, but it's breaking again now, though he keeps a calm expression. If Archer intends to stand between him and doing what he has to do, he'll shoot him. He'll kill him, and if he comes back he'll disable him. Of course, to destroy the last "family" he has may just destroy the last of his sanity as well, but that's a sacrifice he's willing to make.
This place is ugly. This situation is ugly. He knows he won't be able to save anything in the end. Still, if he doesn't try he'll be giving up, and he won't be able to survive like that. He has to keep struggling or he'll drown in his own self-loathing.]
action;
No, I'd imagine that would be a pain in the neck to clean up.
action;
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[He moves aside, reluctantly. "Talking." Ha.]
Don't forget to take off your shoes. And the gun.
action;
Whether I need it depends on you.
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...I don't doubt that.
[He doesn't know what to do in the face of it - the hole Emiya Shirou put in his chest was testament enough to that. To continue believing something that has betrayed you time and time again is senseless, it flies in the face of everything Archer has seen and felt, and stupid as it all is, it speaks to some time-tested mettle that he, perhaps, abandoned.]
Fortunately for you, there won't be a reason to shoot me.
action;
[The wounds Kiritsugu's ideals have left on him are deep, wide and still open. His heart is more crack than solid piece by now, but he can't stop. He knows it's stupid. He knows what he can and can't accomplish. It's just that he has to keep moving, or else what is there? It's as Iri once told him -- if he turns his back on the world, he'll end his own existence. Be it literally or figuratively, giving up on saving something would be killing "Emiya Kiritsugu", and so he can't. He has to pick himself up over and over, no matter how agonizing it is.]
action;
[He leans back against the wall, arms folded, pockets still turned inside out.]
That said, the least I can do for you is concede before your shooting me becomes another one of your regrets.
action;
[He's upset with Archer, but it's still his son. Even if they can't see eye to eye, he'll try to be at least a little bit open with him about it all.]
action;
[And then a pointed stare at Kerry's shoes]
That course should involve taking off your shoes.
action;
He slowly lowers his gun, watching Archer like he expects him to jump at him at any moment.]
You don't want me to stay.
action;
[His room is the closest to "messy" that he'll ever let it get. There's a bow, arrows, and a short sword stashed carefully in the corner, and next to them a laundry basket with clothes carefully folded inside. There are stacks of books on the table, pens and pencils, and open notebooks with what looks like notes on runes. Also a small tea pot, two tea cups (one upside down, unused), and an electric kettle.
Was the kettle taken from the communal kitchen?
> Yes
No
Does he care?
Yes
> No
Almost reflexively, he closes the notebooks, stacks them up carefully, and arranges the pens and pencils on the table.]
action;
And yet Kiritsugu takes his shoes off as requested. Maybe he really did get it all wrong...]
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